| Saraceno, Tomás | Hybrid solitary semi-social 54 Tauri built by: a duet of Linyphia triangularis - three weeks, a nonet of Cyrtophora citricola - three weeks, rotated 180° | 2017 | Installation |
| Skawennati | Words Before All Else Part 1 | 2017 | Vidéo/Film |
| Szilasi, Gabor | Leonard Cohen Montreal 1966 | 2017 | Photographie |
| Tam, Karen | Tchou’s Sheen-wah-zree’s Booth | 2017 | Installation |
| Basanta, Adam | All We’d Ever Need Is One Another | 2018 | Installation |
| Charles, Miryam | Drei Atlas | 2018 | Vidéo/Film |
| Cwynar, Sara | Red Film | 2018 | Vidéo/Film |
| Deslauriers, Jannick | Sentence, souffle et linceul | 2018 | Sculpture |
| Février, Stanley | An Invisible Minority | 2018 | Installation |
| Kiwanga, Kapwani | Jalousie | 2018 | Sculpture |
| Lafrance, David | Un atelier dans la forêt | 2018 | Installation |
| Latouche, Sophie | Quand tout fit avec le aesthetic de ta chambre Remix Edition | 2018 | Nouveaux médias |
| Meunier, Luce | Eau courante #4 | 2018 | Peinture |
| Monnet, Caroline | History shall speak for itself | 2018 | Photographie |
| Monnet, Caroline | In The Name of Progress | 2018 | Fibre/Papier-matière |
| Monnet, Caroline | Lot #X - Front de la Rivière Désert | 2018 | Techniques mixtes |
| Myre, Nadia | Contact in Monochrome (Toile de Jouy) | 2018 | Installation |
| Proulx, Anne-Marie | Aiminanu (il y a une conversation en cours) | 2018 | Photographie |
| Proulx, Anne-Marie | Nutshimit (l’intérieur des terres) | 2018 | Photographie |
| Proulx, Anne-Marie | Uepeshekat (les falaises se rapprochent) | 2018 | Photographie |
| Roy-Bois, Samuel | Love You | 2018 | Sculpture |
| Shaw, Jeremy | Towards Universal Pattern Recognition (Jesusfestival I Humlegården. 10 AUG 1974) | 2018 | Photographie |
| Shaw, Jeremy | Towards Universal Pattern Recognition (National Day of Prayer, Lehigh Co. Courthouse, Allentown. Thur May 7 1992) | 2018 | Photographie |
| Shaw, Jeremy | Towards Universal Pattern Recognition (Revival at McGovern Park. WE JUL 17 1985) | 2018 | Photographie |
| Wellmann, Ambera | Mare | 2018 | Peinture |
| Belmore, Rebecca | Body of Water | 2019 | Sculpture |
| Claus, Hannah | chant pour l’eau [Kinosipi] | 2019 | Installation |
| Deschamps, Marie-Michelle | Occasional Work | 2019 | Sculpture |
| Gaulejac, Clément de | Petites différences – Les anciennes, les modernes et toutes les autres | 2019-2021 | Nouveaux médias |
| Grenier, Mathieu | Fondation #9 | 2019 | Photographie |
| Gubash, Milutin | Lamp 42 (Peacock) | 2019 | Sculpture |
| Kim, Jinyoung | CCTV, Gaepo (de la série « Apparitions of Collective Disposition ») | 2019 | Photographie |
| Kim, Jinyoung | Fallen Tree on a Path, Gaepo (de la série « Apparitions of Collective Disposition ») | 2019 | Photographie |
| Kim, Jinyoung | Gaepo Complex 4 (de la série « Apparitions of Collective Disposition ») | 2019 | Photographie |
| Lin, Yen-Chao | The Eroding Garden | 2019 | Installation |
| Mathieu, Manuel | The Fall | 2019 | Peinture |
| Muholi, Zanele | Qhamukile, Mauritius | 2019 | Installation |
| Nadeau, Jérôme | The Crawler et Less Lost | 2019 | Photographie |
| Nadeau, Jérôme | The Crawler | 2019 | Photographie |
| Nadeau, Jérôme | Less Lost | 2019 | Photographie |
| Rafman, Jon | Disasters Under The Sun | 2019 | Vidéo/Film |
| Scott, Walter | The Pathos of Mandy | 2019 | Vidéo/Film |
| Veri, Laurence | Distance entre deux figures | 2019 | Sculpture |
| Veri, Laurence | Misérable Nuit | 2019 | Sculpture |
| Veri, Laurence | Signal | 2019 | Sculpture |
| Werner, Janet | Beast | 2019 | Peinture |
| ᐅᑌᒥᐣ Williams, Nico | NDN Status | 2019 | Techniques mixtes |
| Roussel, Andrée-Anne; St-Aubin, Samuel | Distance critique | 2020 | Nouveaux médias |
| Bauer, Lorna | Untitled (Erickson view #2) | 2020 | Photographie |
| Belleau, Simon | The Spectators (Les Spectateurs) | 2020 | Vidéo/Film |